Category / Games

by Kush Sharma

Call of Duty: Black Ops II

Call_of_duty_black_ops

This appears to be the defining question informing the direction of developer Treyarch’s latest, Call of Duty: Black Ops II. While large portions of the design conform to the tenets established by prior iterations of the franchise, the unparalleled wealth of gameplay options and brilliant twists on the formula have shaped Black Ops II into the most ambitious and exciting Call of Duty ever made. It occasionally feels like the team might have strayed into territory they’re not quite masters of, but significant tweaks to the multiplayer loadout system, as well as the realization of player agency in the campaign, make this far more than “just another Call of Duty.” This is an evolution.

The campaign narrative jumps between various characters’ perspectives and also in time. The Cold War-era missions follows characters such as Alex Mason and Sgt. Frank Woods from the first Black

An entry into the blockbuster first-person shooter franchise, Call of Duty: Black Ops II brings players back into the shadows for another Black Ops mission assignment. Ops, while the 2025 missions follow Alex’s son, David. All of these soldiers’ fates are intertwined with the villain, Raul Menendez, and his organization Cordis Die. Menendez is the sort of villain you just can’t seem to kill and, consequently, who knows how to hold a grudge. Thing is, he’s not your typical, “I’m evil cause I do bad things,” bad guy. Menendez is a tragic character, a product of imperialist nations’ meddling during the Cold War and a survivor of some truly traumatic experiences.

The story successfully casts Menendez in a light where I’m still not sure how I feel about him. At times I wanted him dead, while at others I felt like he had a right to want revenge. Hell, I even vacillate between agreeing with his end goals. Like the film Inglourious Basterds, Black Ops II becomes less about you and the “good” guys, and more about the motivations and perspective of the villain. The very fact that I’m still thinking about how the story played out — something unprecedented in a Call of Duty campaign — is a testament to the strength of the writing.

A great narrative already makes Black Ops II stand out in the pantheon of Call of Duty campaigns, but where it really sets itself apart is the addition of player choice and consequence. Moments and devices that would otherwise seem irrelevant — like whether you find all of the intel in a level or choose to shoot someone — can come back to haunt you, hurt you or help you. Failing objectives might result in new or more challenging missions rather than a restart screen. It’s a brilliant riff on the traditional Call of Duty campaign design, and, combined with the additional cutscenes that flesh out the story, creates a narrative worth replaying just to see the wildly different moments and endings. Most importantly, choice makes you apart of what you play; it’s not just a story, it’s your story. I may not have found the ending of my first playthrough satisfying because terrible things happened, but I appreciated that it was a direct byproduct of my actions.

You can also see some variance in the available strike missions, which are a new type of campaign level. These stages put you in a squad of soldiers and drones, and then let you choose which asset to control at any given time. Defending installations against enemy assault, escorting a convoy, and rescuing a hostage are some of the endeavors you might undertake. Though you have a team at your command, strike missions are still all about you gunning down foes. Your AI allies are only good at slightly hindering your enemies, so you end up doing the heavy lifting yourself, often while tracking activity on multiple fronts and hopping around to deal with advancing enemies. Having to consider the bigger picture is a nice change of pace for a series that has mostly involved just shooting what’s in front of you, and these missions are a welcome shot in the arm for the familiar campaign pacing.

Of course, familiar as it may be, that pacing is still great. The campaign ebbs and flows as you move through a variety of diverse, detailed environments using an array of powerful weaponry to dispatch your foes, occasionally hopping into a jet or on to a horse for a short jaunt, or manning a missile turret to tame a swarm of hostile drones. A few neat gadgets and surprising gameplay moments satisfy the novelty quotient, but you still get the lingering feeling that you’ve done this all before. The new strike missions, dramatic decision points, and memorable villain help keep this concern at bay, however, and this fiesty, enjoyable romp is more enticing to replay than other recent Call of Duty campaigns.

Black Ops II’s competitive multiplayer has seen some changes as well, notably in the way you equip yourself before going into battle. The COD points system from Black Ops has been ditched in favor of a new token system that still affords you some control over the order in which you unlock new weapons and gear. The more interesting change is the new loadout system, which gives you ten points to play with and assigns a single point to every element of your loadout (guns, attachments, perks, lethal and tactical items). It offers a bit of flexibility if, say, you don’t use a sidearm much but could really use an extra perk, and the new wild cards allow some limited creativity. Put one of these in your loadout, and you can go into battle with two well-equipped primary weapons, or you can load up on perks and bring just a knife and your wits.

The Good

  • Great campaign scripting
  • Story choices are often tough and encourage replay
  • League play offers a new stage for the familiar multiplayer combat.

The Bad

  • Zombies mode is stagnant
  • New codcasting tool is hamstrung.

THE VERDICT

The team at Treyarch could have played it safe and Black Ops II would have sold well, but instead they challenged assumptions and pushed the series forward in awesome new directions. It’ll be hard to return to a campaign where I don’t have the ability to shape it, and I simply can’t imagine going back to the old loadout system now that Pick 10 exists. Combined with the host of subtle and overt improvements to the array of other systems, the additions to make it more appealing to Esports, and the more fleshed out Zombies mode, this is not just a fantastic Call of Duty game, but one of the best shooters of the last decade.

by Kush Sharma

Halo 4

halo 4

Master Chief returns in Halo 4, part of a new trilogy in the colossal Halo universe.

Set almost five years after the events of Halo 3, Halo 4 takes the series in a new direction and sets the stage for an epic new sci-fi saga, in which the Master Chief returns to confront his destiny and face an ancient evil that threatens the fate of the entire universe. Halo 4 also introduces a new multiplayer offering, called Halo Infinity Multiplayer, that builds off of the Halo franchise’s rich multiplayer history. The hub of the Halo 4 multiplayer experience is the UNSC Infinity – the largest starship in the UNSC fleet that serves as the center of your Spartan career. Here you’ll build your custom Spartan-IV supersoldier, and progress your multiplayer career across all Halo 4 competitive and cooperative game modes.

No console shooter has a richer, deeper, more revered multiplayer history than Halo. So how does Halo 4’s multiplayer suite live up to the legacy in 343’s hands?

It’s golden.

Halo has evolved, wrapping its multiplayer in an unexpected narrative context – the Spartan-on-Spartan battles are presented as training sessions aboard the UNSC Infinity ship – complete with more of the same visually arresting introductory cutscenes for both the adversarial War Games and the new Spartan Ops co-op mode.

With Halo 4’s immaculate weapon balancing and gun-for-every-situation combat strategies, it needs only a great crop of multiplayer maps in order to qualify for classic status. Fear not, as 343 packs War Games with 10 mostly stellar stages and three additional Forge-built battlegrounds. Exile leads the vehicle-heavy Big-Team Battle complement, Ragnarok shines as a Mantis-showcasing remake of Halo 3’s Valhalla, and Haven is among the series’ all-time finest small and symmetrical levels. Oh, and one of the official Forge constructions, Settler, is a smaller, crazier evolution of the franchise’s most famous map that I absolutely love: Blood Gulch. Halo 4 might not have its instant-classic (a la Halo 2’s Lockout), but this is an impressive collection of outstanding battlegrounds, with a seemingly greater emphasis placed on the large-scale, vehicle-inclusive levels that are Halo’s bread-and-butter.

Of course, gorgeous graphics are only one responsibility a console’s killer app must bear. Perhaps equal to Halo 4’s monitor-melting visuals is its bar-none, best-in-class sound design. If you think you’ve heard Halo, check your ears and listen again. Nary a gunshot, MJOLNIR boot clank, or Covenant Elite’s “Wort wort wort” passes through your speakers without a significant, authoritative overhaul that lends an aggressive, testosterone-inducing punch to Halo 4’s combat.

Few game series are known as much for their music as Halo, and thus much has been made of British electronica producer Neil Davidge taking over for the beloved Bungie incumbent, Marty O’Donnell. It’s a bold shift – and probably wise of 343 to go in a tonally different direction rather than attempt to emulate O’Donnell – but the results are mixed. The trademark monk chants are gone, and Davidge’s moody tunes are complementary rather than additive. The new tracks simply aren’t memorable and never elevate the action happening on the screen the way that O’Donnell’s bombastic scores did, though this may be intentional, as Davidge’s compositions are decidedly atmospheric.

THE VERDICT

Cortana once asked Master Chief what would happen if he missed his target, and in the single greatest line of dialogue in Halo history, Chief replied with the coolest, calmest confidence, “I won’t.”

Release Date: November 6, 2012
MSRP: 59.99 USD
M for Mature: Blood, Violence
Genre: First-Person Shooter
Publisher: Microsoft Game Studios
Developer: 343 Industries
by Kush

Max Payne 3

Max_Payne_3_Cover

Max Payne has suffered beyond reasonable limits. (It’s all in the name.) Nine years have passed since the last game in the series, yet little has changed for its long-suffering protagonist, who remains deeply traumatised by the death of his wife and child. ‘Trauma’ is the key word – in Greek, it means ‘wound’, and Max is someone who has never let his fully heal. To move on would be to forget – a betrayal of those he loved – and so instead he chooses to wallow in the past and the pain, with the help of brown liquor and white pills.

But thankfully, Max Payne 3 isn’t content to simply relive the past, and makes bold stylistic and narrative decisions to avoid stagnation. And though these choices have significant consequences on the game’s pacing that may prove divisive, Max Payne 3 is overall a brilliant, darkly-engrossing third outing for one of video games’ most troubled characters.

Wherever you go, there you are. It’s a truth Max Payne knows better than anyone. Fleeing his New York life to take a job working security for a wealthy family in Sao Paulo, the hard-drinkin’, pill-poppin’ Max finds that his demons come along for the ride. Though the details of the plot add up to your typical story of conspiracy and corruption, of the rich and powerful preying on the poor and helpless to become even more rich and powerful, the writing, acting, and presentation elevate this tale well above a boilerplate video game crime story.

It’s hard to stay ambivalent once you see the horrors being suffered by the innocent here, and you’ll likely want to see Max’s quest for vengeance through to its conclusion just as badly as he does. Max reveals a complexity here not seen in earlier games, as he hits rock bottom and must either stay there or face his demons head-on and make himself anew. Other characters, too, reveal a surprising humanity. You might be tempted to write off Marcelo, the youngest brother in the wealthy Branco dynasty Max is hired to protect, as the shallow playboy he often appears to be. But in moments of disarming honesty, he reveals to Max a depth that lies beneath the facade he presents to the world.

Cutscenes use multiple moving panels to pay homage to the graphic-novel-style storytelling of previous games without feeling beholden to it, and the considered use of blurring and other visual effects echo Max’s state of mind, perhaps making you feel as if you’re the one who has been hitting the bottle a little too hard. James McCaffrey does an excellent job reprising his role as Max, bringing a wider range of emotions to a character who has previously often been one-note. The writing is terrific; Max’s world-weary wit is as bone-dry as ever, and as he ruminates on things like loyalty and loss, much of what he says has the sound of hard-earned wisdom. Subtle touches throughout the game make Max seem convincingly alive, such as the complex look that crosses over his face at the start of one stage when bloodshed seems inevitable; it’s as if he dreads what’s coming, but does his best to mentally prepare himself for it.

Verdict

So, should you play this game? Hell yeah! It does not matter if you haven’t been a follower of the Max Payne franchise, there isn’t much in common except for the one chapter which takes us back to Max’s past in NYC. Gameplay, bullet-time, graphics and sound are brilliant. The story, though not as layered as it was in the first two instalments, still offers the plot twists to keep you engaged. Level design in varied terrains is a definite plus. If you are a third person shooter fanatic, the decision to buy this game is a no-brainer.

Published by: Rockstar Games

Developed by: Rockstar Studios
Genre: Third-Person Shooter
Release Date:
United States: May 15, 2012
UK: May 18, 2012
Australia: May 18, 2012
MSRP: 59.99 USD
M for Mature : Blood and Gore, Intense Violence, Partial Nudity, Strong Language, Strong Sexual Content, Use of Drugs and Alcohol
Also Available On: PC, PS3
Also known as: Max Payne 3
by Kush

Hate Spending Money? Grab These Free Games

Free-to-play (F2P) refers to any video game or social or mobile application that has the option of allowing its players/users to play/download without paying. The model was first popularly used in early massively multiplayer online games (MMO) targeted towards casual gamers, before finding wider adoption among games released by major video game publishers to combat video game piracy and high system requirements. Since games using the concept are available at no cost to players, they use other means to gather revenue, such as charging money for certain in-game items (like powerful bonuses which are usually available for real money only) or integrating advertisements into the game.

Blacklight: Retribution

About the Game

Wage war with advanced weapons and technology in Blacklight: Retribution, a free-to-play, futuristic first-person shooter. Deploy devastating armored exoskeletons and utilize lethal hand-held weapons in vicious competitive modes.

SUIT UP, SIGHT ON, FIRE AWAY

The Hardsuit is the ultimate weapon. Powerful but slow, this armored suit packs a one-shot, one-kill railgun and a high velocity minigun to clear rooms… fast. Only by using teamwork, heavy weapons from in-game Weapon Depots and the Hyper Reality Visor (HRV), can players overcome the futuristic killing machine.

Tribes: Ascend

About the Game

Tribes: Ascend is the world’s fastest shooter – a high-adrenaline, online multiplayer FPS with jetpacks, skiing, vehicles, and multiple classes. The classic shooter franchise Tribes has been played by well over 1 million people. With Tribes: Ascend, the franchise is reborn – fast-paced, vertical, acrobatic combat combined with class-based teamwork and stunning sci-fi visuals.

Age of Empires Online

About the Game

Age of Empires Online is the next chapter in the best-selling Age of Empires PC game franchise features some of the greatest ancient civilizations including the Greeks, Egyptians, Persians, and Celts, with more being introduced all the time, and offers more than hundreds of hours of gameplay for free!

And that’s just where the experience starts! As players grow their empires and look for new adventures, Age of Empires Online delivers the opportunity to buy new Premium Content Packs – everything from entirely new civilizations to Booster Packs with new game modes and more. It’s the biggest Age of Empires game ever.

What’s more, Age of Empires Online adds new social interaction, customization, and MMORPG gameplay in an evolving and persistent world. Play co-operatively or competitively, craft and trade items, and level up by completing quests – all for free! Plus, Age of Empires Online still offers all the classic RTS gameplay, empowering players to build mighty empires, manage resources, earn rewards, and battle their way into rich new worlds full of lively villagers, epic warriors, and historically-themed architecture.

Team Fortress 2

About the Game

“The most fun you can have online” – PC Gamer

Is now FREE!

There’s no catch! Play as much as you want, as long as you like!

The most highly-rated free game of all time!

One of the most popular online action games of all time, Team Fortress 2 delivers constant free updates—new game modes, maps, equipment and, most importantly, hats. Nine distinct classes provide a broad range of tactical abilities and personalities, and lend themselves to a variety of player skills.